TRIANGLE BOOK OF St. GERMAIN * Dragon Tales 1* Dragon Tales 2 * Contents * Introduction * Secret Code * Cypher Text * Saint Germain's Dragon Illustrations * Translation * Provenance * Body of Light * Dragon Sign * The Operations * The Flood * Treasures * Hermetica * Keys * St. Germain * Manly P. Hall * Cover * St. Germain Code * Ciphers * Alchemy * Trinosophia * Pineal DMT * Precession * Key of Life * Sigil * Circumpunct * What's New * Repository * Photo 6 * Author *


Manly P. Hall Commentary from SAGES & SEERS on the Triangle Book


 Box 35 Ex Dono Sapientissimi Comitis St. Germain Qoi Orbem Terrarum Per Cucurrit ca. 1750
Scope and Content Note
Comte St. Germain. 28.4 x 22 cm. 24 leaves. Illustrations, ink, gilt. Contains translation of Masonic
symbols. Triangular book. [210]

Saint-Germain taught that man has in him infinite possibilities and that from the practical point of view, he must strive unceasingly to free himself from matter in order to enter into communication with the world of higher intelligences.


This curious book was for many years in the Library of Lionel Hauser, Ancien membre du Conseil de Direction de la Societe Theosophique du France. It was sold with the rest of his collection at Sotheby's celbrated Auction House in London. He could give me no additional information about the manuscript which had come to him through the usual book collecting channels. He showed me at the time a Masonic Lodge coin which had belonged to a member of St.-Germain's group.

The book itself is triangular in shape, on vellum, and written in cipher with the exception of the title page. The cipher itself is quite simple, belonging to the class found in Masonic documents, and decodes into French. It is titled The Sacred Magic Revealed to Moses, recovered in an Egyptian monument and carefully preserved in Asia under the Device of a Winged Dragon...written about 1750. On the first page above a wyvern are the words: "By the gift of the most wise Comte de St.-Germain who passed through the circle of the earth." The writing itself belongs to a class known as Grimoire or Manuals of Ceremonial Magic. A free translation of the opening pages follows:

"The orbit (magic circle) which thou seest on the preceding page will serve thee as a model to make others which shall be nine cubits in diameter. Thou shalt use these to perform marvels, a priviledge which thy predecessors Beros and Sanchoniaton did not have. I give thee at the same time the intelligence of the characters in which is written my revelation so that thou mayest make use of them for three purposes: to find things lost in the seas since the upsetting of the globe (the Deluge); to discover mines of diamonds, gold and silver in the heart of the earth; to preserve the health and prolong the life to a century or over with the freshness of fifty years and the strength of that age."

The balance of the manuscript is devoted to the consecration of magical impliments and prayers to spirits. The writing ends with the following prayer addressed to attendant spirits:

"In the name of the Eternal, of the True God, Master of my body, my soul and my spirit, go; go in peace; retire ye. Let it be that one of you accompany me always and that the others may be ready to come when I shall call."

Most of the formulas are magical rather than alchemical and so involved in obscure symbolism and Cabalistic names as to be impractical to the modern reader.

Le Magie Sainte is obviously based on a mysterious document of unknown antiquity called the Clavicula Solomonis or the Key of Solomon. This curious production was circulated widely during the Middle Ages and was supposed to have been derived from instructions in magic bestowed by King Solomon upon his son.

St.-Germain's manuscript is illustrated with drawings of magic circles executed in several colors, including gold. In the text are invocations to spirits, with the names of numerous spirits and demons. It is quite possible that the simple process of decoding does not reveal the true text.

The document may have an under-meaning relating to matters of philosophy and esoteric Masonry. It was copied on several occassions for the use of the members of the French Masonic Order. The copies are inferior in workmansip and are usually written on paper. I have one such copy for comparison with the original. This copy which is magnificently bound, and decorated with masonic symbols, has an additional page at the beginning describing its original owner, Antoine Louis Moret, New York, 1810.

Contact Information:
The Getty Research Institute
Research Library
Special Collections and Visual Resources
1200 Getty Center Drive, Suite 1100
Los Angeles, California 90049-1688
Phone: (310) 440-7390
Fax: (310) 440-7780
Email Requests:


 This manuscript passed from the collection of Moret to the famous library of occult books and manuscripts formed by the late Mme. Barbe of Paris.  In the interval it had belonged to Stanislaus de Guaita, French transcendentalist, who purchased it at the sale of books belonging to Jules Favre, the French Statesman and bibliophile. Moret was one of the heads of Masonry in Europe and America.  He came to America and settled here for some time. The manuscript, therefore, is of greatest importance in the literature of early American Masonry.

 During the middle years of the 19th century, a school of transcendentalists came into being in France under the able leadersip of Abbe Louis Constant, better known by is pseudonym Eliphas Levi.  He was a member of the Fratres Lucis, and was devoted to the mysteries of the Holy Cabala. Levi gethered around himself a brilliant group of European intellectuals who devoted much time to searching out available information on St.-Germain. Most of the rarer books and manuscripts passed through their hands, and in some cases copies were made.  These are almost as scarce as the orignals.

PROVENANCE: It is not known for sure if St. Germain actually wrote these rites or adapted them from an older magical text in his possession. This manuscript was offered at the Hauser Sale in 1933 (item #527). The key to the cypher in an accompanying bound volume was provided with the lot. A typed French transcription and English translation are to be found in the bound volume, inserted in the slip-case. Another French translation is in the bound volume accompanying the other copy of this text, provided by the bookseller.

MS 209 was bought from Frank Hollings, a London antiquary, after 1933. It came from the occult library of Mme. Barbe, who had gotten it from the bibliographer Stanislaus de Guaita, who bought it from an auction of the library of Jules Favre. It is a copy made from one of the magical texts in the possession of St. Germain by the owner's permission. A number of such copies were executed for the members of his Masonic lodge in Paris, and the following manuscript (210), as different in style as it is, may be one of the copies too. It is unclear in both cases whether the Comte St. Germain wrote these magical formulae or owned a copy of an ancient text. This manuscript was made for Antoine Louis Moret, a French emigre to America active in Masonry and politics.

The litany of St. Germain's miracles--his eternal youthfulness, his incomparable painting of pigments made from the colors magically pulled out of gemstones, his endless wealth, his invisibility, his brilliant sonatas, and inspired violin performances, the flaws removed from the King's diamonds, metals transmuted, languages spoken, friends among the long-dead -- these and many more tales, and a few unflattering references in the shards of eighteenth century diplomacy constitute his whole legend. He is said to have whispered words of unheeded advice to Marie Antoinette. His image remains the centerpiece of newly fabricated mythologies, often of Rosicrucian, Masonic and New Age origin. There remain a number of remarkable contemporary testimonies and unsolved puzzles. As for hard evidence, there is none.

St. Germain has been described as the greatest of European adepts. His prodigious knowledge of history and philosophy was often commented on in his day. In a letter to Frederick II, Voltaire described St. Germain as "the man who never dies."

Both MS 209 and 210 now reside in the Getty Research library, having been sold in the estate auction of Manly Palmer Hall by his lawyers to satisfy debts.

MS 209 has 31 leaves, 4 are blank. 21.0 x 24.4 x 24.4 (triangular)

MS 210 has 24 triangular leaves, 23.7 x 23.7 x 23.5

Mid 18th c. French, blue and gold ink on ruled parchment. Text in cipher with two magical illustrations in gilt and several other colors of ink. MS 209 has 3 illustrations in gilt and other colors of ink. French portions of text in both are in script.

[ Box 35 ]
Ex Dono Sapientissimi Comitis St. Germain Qoi Orbem Terrarum Per Cucurrit. [ ca. 1750 ]

Comte St. Germain. 28.4 x 22 cm. 24 leaves. Illustrations, ink, gilt. Contains translation of Masonic symbols. Triangular book. [210]

Hall (Manly Palmer) Collection of Alchemical Manuscripts, 1500-1825

Finding aid prepared by Trevor Bond.

The Getty Research Library

Special Collections and Visual Resources
1200 Getty Center Drive, Suite 1100
Los Angeles, California 90049-1688
Phone: (310) 440-7390
Fax: (310) 440-7780

J. Paul Getty Trust.

Descriptive Summary

Manly Palmer Hall Collection of Alchemical Manuscripts, 1500-1825

Collection number:
Accession no. 950053

Hall, Manly Palmer, 1901-

7.5 linear ft.

The Getty Research Institute
Research Library
Special Collections and Visual Resources
1200 Getty Center Drive, Suite 1100
Los Angeles, CA 90049-1688

A collection of 243 manuscripts detailing the arts of Alchemy, Hermeticism, Rosicrucianism, and Masonry, gathered over a lifetime by Many Palmer Hall, author and researcher in the realms of mysticism and the occult and related areas.

Open for use by qualified researchers. Contact the Head of Special Collections, Getty Research Institute for copyright information and permission to publish. Manly Palmer Hall Collection of Alchemical Manuscripts, 1500-1825, Getty Research Institute, Research Library, Accession no. 950053. Acquired in 1995

Trevor Bond processed the collection January 1998 and wrote the finding aid March 1998

224 printed books were transferred to the library on June 6, 1995.

What's New with My Subject?

Saint-Germain: The Immortal Count
He was a brilliant alchemist who, it is believed, discovered the secret of eternal life. He courted Europe's rich and famous for hundreds of years... and some believe he still lives.

• Part 2: Back from the dead
  Related Resources
• The Real-Life Wizard Behind "Harry Potter"
• Wizardry That Would Amaze Harry Potter
• Impossible Science
 Elsewhere on the Web
• Comte de Saint-Germain
• The Count de Saint-Germain and Helena P. Blavatsky

Is it possible that a man can achieve immortality - to live forever? That is the startling claim of a historical figure known as Count de Saint-Germain. Records date his birth to the late 1600s, although some believe that his longevity reaches back to the time of Christ. He has appeared many times throughout history - even as recently as the 1970s - always appearing to be about 45 years old. He was known by many of the most famous figures of European history, including Casanova, Madame de Pampadour, Voltaire, King Louis XV, Catherine the Great, Anton Mesmer and others.

Who was this mysterious man? Are the stories of his immortality mere legend and folklore? Or is it possible that he really did discover the secret of defeating death?


When the man who first became known as Saint-Germain was born is unknown, although most accounts say he was born in the 1690s. A genealogy compiled by Annie Besant for her co-authored book, The Comte De St. Germain: The Secret of Kings, asserts that he was born the son of Francis Racoczi II, Prince of Transylvania in 1690. Other accounts, taken less seriously by most, say he was alive in the time of Jesus and attended the wedding at Cana, where the young Jesus turned water into wine. He was also said to be present at the council of Nicaea in 325 A.D.

What is almost unanimously agreed on, however, is that Saint-Germain became accomplished in the art of alchemy, the mystical "science" that strives to control the elements. The foremost goal of this practice was the creation of "projection powder" or the elusive "philosopher's stone," which, it was claimed, when added to the molten form of such base metals as lead could turn them into pure silver or gold. Furthermore, this magical power could be used in an elixir that would impart immortality on those who drank it. Count de Saint-Germain, it is believed, discovered this secret of alchemy.

Courting European Society

Saint-Germain first came into prominence in the high society of Europe in 1742. He had just spent five years in the shah of Persia's court where he had learned the jeweler's craft. He beguiled the royals and the rich with his vast knowledge of science and history, his musical ability, his easy charm and quick wit. He spoke many languages fluently, including French, German, Dutch, Spanish, Portuguese, Russian and English, and was further familiar with Chinese, Latin, Arabic - even ancient Greek and Sanskrit.

It might have been his extraordinary learnedness that led acquaintances to see that he was a remarkable man, but an anecdote from 1760 most likely gave rise to the notion that Saint-Germain could be immortal. In Paris that year, Countess von Georgy heard that a Count de Saint-Germain had arrived for a soiree at the home of Madame de Pompadour, mistress of King Louis XV of France. The elderly countess was curious because she had known a Count de Saint-Germain while in Venice in 1710. Upon meeting the count again, she was astonished to see that he hadn't appeared to age, and asked him if it was his father she knew in Venice.

"No, Madame," he replied, "but I myself was living in Venice at the end of the last and the beginning of this century; I had the honor to pay you court then."

"Forgive me, but that it impossible!" the perplexed countess said. "The Count de Saint-Germain I knew in those days was at least forty-five years old. And you, at the outside, are that age at present."

"Madame, I am very old," he said with a knowing smile.

"But then you must be nearly 100 years old," said the astonished countess.

"That is not impossible," the count told her matter-of-factly, then continued to convince the countess that he was indeed the same man she knew with the details of their previous meetings and of life in Venice 50 years earlier.

Ever Present, Never Aging

Saint-Germain traveled extensively throughout Europe over the next 40 years - and in all that time never seemed to age. Those who met him were impressed by his many abilities and peculiarities:

  • He could play the violin like a virtuoso.
  • He was an accomplished painter.
  • Wherever he traveled, he set up an elaborate laboratory, presumably for his alchemy work.
  • He seemed to be a man of great wealth, but was not known to have any bank accounts. (If it was due to his ability to transmute base metals into gold, he never performed the feat for observers.)
  • He dined often with friends because he enjoyed their company, but was rarely seen to eat food in public. He subsisted, it was said, on a diet of oatmeal.
  • He prescribed recipes for the removal of facial wrinkles and for dyeing hair.
  • He loved jewels, and much of his clothing - including his shoes - were studded with them.
  • He had perfected a technique for painting jewels.
  • He claimed to be able to fuse several small diamonds into one large one. He also said he could make pearls grow to incredible sizes.
  • He has been linked to several secret societies, including the Rosicrucians, Freemasons, Society of Asiatic Brothers, the Knights of Light, the Illuminati and Order of the Templars.

The renowned 18th philosopher, Voltaire - himself a respected man of science and reason - said of Saint-Germain that he is "a man who never dies, and who knows everything."